Forthcoming:
Entries for Anne Imhof, Cannupa Hanska Luger, Isaac Julien, Kader Attia, Terry Adkins, Jason Moran, Vaginal Davis, María Magdalena Campos-Pons, Martine Syms, Rashid Johnson, Tania Bruguera, Camille Henrot, Benezit Dictionary of Artists, Edited by Valerie Cassel Oliver. Oxford, UK: Oxford University Press. Forthcoming 2025.
“Ewan Atkinson,” Prospect.6: the future is present the harbinger is home Exhibition Catalog, eds. Miranda Lash and Ebony G. Patterson (New Orleans: Prospect, 2024). Forthcoming 2025.
“Ins(c)ense: Embodied Cultural Coding in the work of Azza el Siddique and TJ Shin,” “On Breath,” Edited by Sozita Goudouna, Performance Research, Vol. 29, No. 3. Forthcoming 2025.
“A Conversation with Emilio Rojas on Bordering Within and Around Institutions.” The Borders of Art: Migration, Mobility, and Artistic Practice. Co-edited by Dina A Ramadan and Sarah Rogers. New York: Bloomsbury. Forthcoming 2025.
“Migratory Pedagogies: Tania Bruguera’s Immigrant Movement International,” Women’s Innovations in Theatre, Dance, and Performance series, Volume 1: Performers. Co-edited by Wendy Arons, Melissa Blanco Borelli, and Elizabeth W. Son. New York, NY: Bloomsbury, Methuen Drama. Forthcoming March 2025.
Archive:
Exhibition Catalogs and Edited Volumes
with Carrie Robbins, ed. Tania El Khoury’s Live Art: Collaborative Knowledge Production. Amherst, MA: Amherst College Press, 2024. Print and digital.
with Gabriel Sacco, “Artspace’s Open Source Art Festival with the City of New Haven: A Case Study in Neighborhood Advisory Committees,” International Journal of the Arts in Society “All Ears!? How Museums Use Community Advisory Groups to Listen and Act Towards Local Relevance and Engagement.” Edited by Daniel Tucker, 2024. Print and digital.
Ed. Bergman & Salinas: How to Avoid Extinction. New Haven, CT: Artspace New Haven, 2022. Print.
Ed. Contra el Bien General. New Haven, CT: Artspace New Haven, 2022. Print.
Ed. Footnotes and other embedded stories. New Haven, CT: Artspace New Haven, 2022. Print.
Ed. Dyschronics. New Haven, CT: Artspace New Haven, 2022. Print.
with Graham Feyl and Jenn Sova, eds. DADDY. Portland, OR: Independent Publishing Resource Center, 2021. Print.
Ed. Emilio Rojas: tracing a wound through my body. Easton, PA and Boston, MA: Lafayette College Art Galleries and Emerson Contemporary, 2022. Print and digital. (English and Spanish)
Articles, Interviews, and Reviews in Peer-Reviewed Journals
with Jonathan González, Marguerite Hemmings, and Lauren Bakst. “djamn, jamming, jam…”: A Conversation with Lauren Bakst, Jonathan González, and Marguerite Hemmings,” ASAP/Journal, 8.3. Forthcoming 2024. Print and digital.
“(Re)tracing Heridas Abiertas (to Gloria): An Exchange about a Ritual with Emilio Rojas with and Laurel V. McLaughlin.” In “Border Encounters, Performing Thresholds.” Co-edited by Cynthia Citlallin Delgado Huitrón and Yarden Stern, Women & Performance: a journal of feminist theory, 30:1. August 2023. Print and digital.
“Caucuses of Inhalation: Anicka Yi’s Mycological Networks.” In “Mycologies.” Edited by Giovanni Aloi. Antennae: The Journal of Nature in Visual Culture, Vol. 58, (August 2022): 129–143. Print and digital.
“Autumn Knight: Disappointment as Pedagogy, or Eating in Costume.” In “Pedagogies of/and Performance-as-Research.”PARtake: The Journal of Performance as Research, Vol. 3, Issue 2 (2021), https://journals.colorado.edu/index.php/partake/article/view/551/845.
“Estado Vegetal, A Gesture of Imitation: An Interview with Manuela Infante.” In “Dark Ecologies.” Co-edited by Angenette Spalink and Jonah Winn-Lenetsky. Performance Research: A Journal of the Performing Arts, Vol. 25, No. 1, (June 2020): 30–37. Print.
“Pierre Huyghe’s Untitled (Human Mask): The ‘Other’ in the ‘Open.’” In “Fade in/ Fade Out.” Edited by Giovanni Aloi. Antennae: The Journal of Nature in Visual Culture, Issue 42 (Winter 2017): 22–35. Print.
Essays in Edited Volumes, Exhibition Catalogs, Journals, and Online Platforms
“You Might, It’s Natural,” From Nature. Paris and New York: Whitewall, 2024. Print.
“Barring Tenderness,” Rujuta Rao: BAR. New York: Parent Company and Bungee Space, 2024.
with Mia Habib and Simona Koch, “ALL—a physical poem of protest: a real-time negotiation between strangers.” In Bare Bodies—Thresholding Life. Edited by Mariella Griel. Berlin: De Gruyter GmbH, 2024. Print.
“Too Close or Comfort: Howard el-Yasin and Flora Wilds in Accumulating Proximities,” The Sue and Eugene Mercy Jr. Gallery of The Loomis Chaffee School Website, August 18, 2023.
“Theresa Hak Kyung Cha: Migratory Alchemical Transformations.” Co-edited by Michael Guo and Coco Chen. “Song of the Nightingale.” te magazine, No. 2, (2023). Print. (English and Mandarin)
“The brushstrokes are moving in all directions, but are clearest in the grays.” Julia Rooney: Album. New York, NY: Freight+Volume, 2023. Print and digital.
“Deconstructive Acts—from Connecticut to Oregon.” Variable West. November 22, 2022, https://variablewest.com/2022/11/22/essay-deconstructive-acts-laurel-v-mclaughlin/.
“‘Such that one can be rendered again’: Emilio Rojas’s Early Performance-Films.” Emilio Rojas: tracing a wound through my body. Edited by Laurel V. McLaughlin. Easton, PA and Boston, MA: Lafayette College Art Galleries and Emerson Contemporary, 2022. Print and digital.
“Footnotes and other embedded stories,” Footnotes and other embedded stories. New Haven, CT: Artspace New Haven, 2022. Print.
“It’s About Time.” Dyschronics. New Haven, CT: Artspace New Haven, 2022. Print.
“[Scripting].” Overlap and Outliers: Essays on Carnation Contemporary’s Exhibitions 2020–2021. Portland, OR: Carnationa Contemporary, 2022. Print.
with Graham Feyl. “Sleepover-as-praxis.” DADDY. Portland, OR: Independent Publishing Resource Center, 2021. Print.
“pax epistle: you told me not to look to etymology.” manuel arturo abreu: Saloman. Seattle: Veronica Projects Space, 2021, https://veronica-projectspace.com/manuel-arturo-abreu-salomon.
“‘The sea was indistinguishable from the sky’: Observational Paintings by Mariel Capanna.” Adams and Ollman Gallery in collaboration with the Independent Art Fair, New York, September 9, 2021, https://adamsandollman.com/Laurel-McLaughlin-on-Mariel-Capanna.
“Simone Fischer: ANTITOURS I.” ANTITOURS. Portland, OR: after/time. Print.
“everyday beats and hierophants.” BIG WINDOW. May 1, 2021: https://www.bigwindow.org/wordpress/wp-content/uploads/2021/02/McLaughlin_arturo-abreu_BW_essay.pdf.
“Pareidolia for Relational Survival: Sculptures by Michelle Marcuse.” Philadelphia, PA: Grizzly Grizzly, 2019. Print.
“As Strangers and Refugees: Olu Oguibe’s Performing Monument.” Monument Lab’s Bulletin, 26 March 2019: https://monumentlab.com/bulletin/as-strangers-and-refugees-olu-oguibes-performing-monument.
Chronology. Rina Banerjee: Make Me a Summary of the World. Edited by Jodi Throckmorton. Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 2018. Print.
“Notes towards the imperative to SWARM.” SWARM. Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 2018: https://www.pafa.org/sites/default/files/swarm-online-publication-2018-pafa.pdf.
“Experiment in We.” Ohne Prickelnd, Sanft. Berlin: Saas-Fee Summer Institute of Art, July 2017. Print.
“Performative Forms.” Beyond Boundaries: Feminine Forms. Edited by Carrie M. Robbins. Bryn Mawr, PA: Bryn Mawr College, 2017. Print and digital.
Interviews and Reviews
“Holding Tina Girouard’s Archives: A Conversation with Andrea Andersson, Jordan Amirkhani, and Jade Flint,” Burnaway, January 2025. Digital.
“Jonathan González: Slowing down time.” BOMB Magazine, October 2024.
“Ghost of a Dream: I know of a place where they perform miracles at the Museum of Contemporary Art Arlington,” Burnaway, March 6, 2024,
https://burnaway.org/magazine/ghost-of-a-dream-i-know-of-a-place-where-they-perform-miracles-at-the-museum-of-contemporary-art-arlington/.
“Heather Dewey-Hagborg: Hybrid: an Interspecies Opera,” The Brooklyn Rail, November 2023, https://brooklynrail.org/2023/11/artseen/Heather-Dewey-Hagborg-Hybrid-an-Interspecies-Opera.
“Water Stories: River Goddesses, Ancestral Rites, and Climate Crisis,” In “Emerge,” Boston Art Review, Issue 11, November 11, 2023. Print.
“Unworded bird, don’t come near my window,” Burnaway, September 14, 2023, https://burnaway.org/magazine/unworded-bird-dont-come-near-my-window/.
“So it appears,” Burnaway, June 16, 2023, https://burnaway.org/magazine/so-it-appears.
“Silences in Death of an Artist,” C Magazine, Issue 154 “Gossip,” Spring 2023. Print and digital.
“Breathwork Mapping and Peregrinations: Jean-Thomas Tremblay’s Breathing Aesthetics and Steffani Jemison’s A Rock A River A Street,” ASAP/J, March 2, 2023, https://asapjournal.com/uncanny-juxtapositions-breathwork-mapping-and-peregrinations-in-a-rock-a-river-a-street-and-breathing-aesthetics-laurel-v-mclaughlin/.
“Symbionts: Contemporary Artists and the Biosphere,” Art Papers, February 3, 2023, https://www.artpapers.org/symbionts/.
“Laurel V. McLaughlin with manuel arturo abreu,” BOMB Magazine, Fall 2022, Issue 161, September 2022. Print and digital.
“Jayson Musson: His History of Art,” Brooklyn Rail, September 7, 2022, https://brooklynrail.org/2022/09/artseen/Jayson-Musson-His-History-of-Art.
“Underneath our Feet, An Interview with Joseph Smolinski.” Footnotes and other embedded stories. New Haven, CT: Artspace New Haven, 2022.
“Asynchronous: A Roundtable with Carolina Caycedo, Emily Jacir, Baseera Khan, and Tsedaye Makonnen.”Dyschronics. New Haven, CT: Artspace New Haven, 2022. Print.
“Theaters for Frankensteins: Yuyang Zhang Interviewed,” Variable West, April 21, 2022, https://variablewest.com/2022/04/21/interview-yuyang-zhang-laurel-v-mclaughlin/.
“Seed as Idea: Aeron Bergman and Alejandra Salinas.” BOMB Magazine. January 13, 2022: https://bombmagazine.org/articles/seed-as-idea-aeron-bergman-and-alejandra-salinas-interviewed/.
“Wandering Down 82nd Ave. with Simone Fischer: Part II—a sermon for crows.” Art&About, 28 June 2021: https://artandaboutpdx.com/blog/wandering-down-82nd-ave-with-simone-fischer-part-iia-sermon-for-crows.
“Wandering Down 82nd Ave. with Simone Fischer: Part I—ANTITOURS.” Art&About, 17 June 2021: https://artandaboutpdx.com/blog/wandering-down-82nd-ave-with-simone-fischer-part-iantitours.
“A vague and undetermined territory in a constant state of transition: a conversation with Emilio Rojas.”Public Parking, August 3, 2021: http://thisispublicparking.com/posts/strategies-to-enflesh-the-archive-a-conversation-with-emilio-rojas.
“Rami George on the tangents, pivots, and slants of ‘artistic research,’” Art Papers, April 14, 2021: https://www.artpapers.org/rami-george-the-tangents-pivots-and-slants-of-artistic-research/.
“the spaces between objects and images: A Conversation with M Acuff,” Art & About, March 4, 2021: https://artandaboutpdx.com/blog/the-spaces-between-objects-and-images-a-conversation-with-m-acuff.
“Searching for A More Perfect Union: Tannaz Farsi at HOLDING Contemporary,” Variable West, December 17, 2020: https://variablewest.com/2020/12/17/review-tannaz-farsi-holding-contemporary/.
“We Got Each Other’s Back: An Interview with Carlos Motta.” this is tomorrow, December 15, 2020: http://thisistomorrow.info/articles/interview-with-carlos-motta-we-got-each-others-back.
“‘Critical Plagiarism’ as Discursive Labour: A Conversation with Leah Modigliani.” Platform: Journal of Theatre and Performing Arts 14, Vol. 1 & 2, “Theatres of Labour.” Co-edited by Meg Cunningham and Clio Unger (Autumn 2020): 162–174. Print and digital.
“Melanie Flood: Notions,”Journal, 11 November 2020: https://www.journal.fyi/review-melanie-flood-fourteen30-contemporary.
“Devin Harclerode and Laura Camila Medina: Loopholes.” this is tomorrow, September 16, 2020: http://thisistomorrow.info/articles/devin-harclerode-and-laura-camila-medina-loopholes.
“Fusebox Festival 2020: ‘Living Roots’ in the Virtual.” in “Living and Working.” Art Papers, 44.1, August 2020: 59–62. Print.
“Gray Areas: An Interview with Allie Hankins.” Contact Quarterly, Unbound, 17 August 2020: https://contactquarterly.com/cq/unbound/view/gray-areas.
“I is for Institute: Interview with Andra Silapētere of Latvian Center for Contemporary Art.” Institute of Contemporary Art, Philadelphia’s I is for Institute, 19 July 2019: https://iisforinstitute.icaphila.org/posts/conversation-with-andra-silapetre-lcca.
“I is for Institute: Interview with Yates Norton of Rupert.” Institute of Contemporary Art, Philadelphia’s I is for Institute, 22 July 2019: https://iisforinstitute.icaphila.org/posts/conversation-with-yates-norton-rupert.
“I is for Institute: Interview with Marten Esko of the Contemporary Art Museum of Estonia.” I is for Institute. Institute of Contemporary Art, Philadelphia’s I is for Institute, 20 April 2020: https://iisforinstitute.icaphila.org/posts/conversation-with-marten-esko-contemporary-art-museum-of-estonia-ekkm.
“Multiple Entry Points to Dis-ease: A Conversation with Amiko Li.” this is tomorrow, 23 April 2020: http://thisistomorrow.info/articles/multiple-entry-points-to-dis-ease-a-conversation-with-amiko-li.
“Danielle Roney: Frequencies of Opacity.” this is tomorrow, 7 April 2020: http://thisistomorrow.info/articles/danielle-roney-frequencies-of-opacity.
“I is for Institute: Interview with Lauren Dickens of San José Museum of Art.” Institute of Contemporary Art, Philadelphia’s I is for Institute, 16 May 2019: https://iisforinstitute.icaphila.org/posts/conversation-with-lauren-schell-dickens-san-jose-museum-of-art.
“I is for Institute: Interview with Hanne Maagus of Kunsthall Stavanger, Alex Klein, Tausif Noor, and Laurel McLaughlin.” Institute of Contemporary Art, Philadelphia’s I is for Institute, 11 January 2019: https://iisforinstitute.icaphila.org/posts/conversation-with-hanne-mugaas-kunsthall-stavanger.
“I is for Institute: Interview with Samuel Leuenberger of SALTS, Alex Klein, Tausif Noor, Laurel McLaughlin.” Institute of Contemporary Art, Philadelphia’s I is for Institute, 4 March 2019: https://iisforinstitute.icaphila.org/posts/conversation-with-samuel-leuenberger-salts.
“Agniezska Polska: Love Bite.” this is tomorrow, 17 March 2020: http://thisistomorrow.info/articles/agnieszka-polska-love-bite.
“NEW DIALECTIC MEMORIES: Lindsay August-Salazar.” Journal, 14 March 2020: https://www.journal.fyi/lindsayaugustsalazar.
“A seemingly simple gesture: Pamela Valfer in Conversation with Laurel V. McLaughlin.” Monument Lab’s Bulletin, 14 March 2020: https://www.monumentlab.com/bulletin/a-seemingly-simple-gesture.
“Review: Being Present: Revisiting, Somewhat Unfaithfully, Portland’s Most Experimental Art Experiment, PCVA.” Art Practical, 19 February 2020: https://www.artpractical.com/review/being-present-revisiting-somewhat-unfaithfully-portlands-most-experimental/.
“Not Total: Jonathan González, manuel arturo abreu, and Rindon Johnson.” 60InchCenter, 23 December 2019: https://www.60inchcenter.com/home/nottotal.
“I is for Institute: Interview with Kristan Kennedy of PICA, Laurel McLaughlin.” Institute of Contemporary Art, Philadelphia’s I is for Institute, 11 March 2019: https://iisforinstitute.icaphila.org/posts/conversation-with-kristan-kennedy-pica.
“a breaking from, a breaking with, a breaking out—A Conversation with James Allister Sprang.” Art Papers, 4 December 2019: https://www.artpapers.org/james-allister-sprang-a-breaking-from-a-breaking-with-a-breaking-out/.
“I is for Institute: Interview with Blake Shell of Disjecta, Laurel McLaughlin.” Institute of Contemporary Art, Philadelphia’s I is for Institute, 16 April 2019:
https://iisforinstitute.icaphila.org/posts/conversation-with-blake-shell-disjecta-contemporary-art-center.
“The Dope Elf at Yale Union.” Art Practical, 6 November 2019: https://www.artpractical.com/review/the-dope-elf-at-yale-union/.
“Mobile Projection Unit: A Conversation with Sarah Turner and Nanda D’Agostino.” 60InchCenter, 23 October 2019: https://www.60inchcenter.com/home/mobile-projection-unit.
“I is for Institute: Interview with Luca Lo Pinto of Kunsthalle Wien, Alex Klein, Tausif Noor, and Laurel McLaughlin.” Institute of Contemporary Art, Philadelphia’s I is for Institute, 25 March 2019: https://iisforinstitute.icaphila.org/posts/conversation-with-luca-lo-pinto-kunsthalle-wien.
“Monsters, fads, and detoxes: An Interview with Katie Hubbell.” Title Magazine, 11 October 2019:http://www.title-magazine.com/2019/10/monsters-fads-and-detoxes-an-interview-with-katie-hubbell/.
“Cannupa Hanska Luger: A Frayed Knot / AFRAID NOT.” Performa Magazine, 12 September 2019:https://performa-arts.org/magazine/reports-cannupa-hanska-luger.
“a situation of relations: A Conversation with Adam Linder about “The WANT.” Portland Institute for Contemporary Art Blog, 2019.
“Multiple Ways to Pursue ‘Later Work’: A Conversation with Eiko Otake.” Portland Institute for Contemporary Art Blog, 2019.
“When aesthetic, ethical, political, and poetic dimensions coincide. A Conversation about NEXUS 1.” Portland Institute for Contemporary Art Blog, 2019.
“running, walking, standing: A Conversation with Mia Habib.” Portland Institute for Contemporary Art Blog, 2019.
“In Concert: Laura Ortman with Marcus Fischer.” Portland Institute for Contemporary Art Blog, 2019.
“We don’t have illusions that absurdity isn’t the ground floor: A Conversation with Miguel Gutierrez.” Portland Institute for Contemporary Art Blog, 2019.
“Art as Tool, Riddle, Problem, Absurdity, Desire: A Conversation with Jess Perlitz.” Title Magazine, 30 May 2019: http://www.title-magazine.com/2019/05/art-as-tool-riddle-problem-absurdity-desire-a-conversation-with-jess-perlitz/.
“Nick Cave, The Most Influential Living African-American Artists.” Artsy, 25 February 2019: https://www.artsy.net/article/artsy-editorial-influential-living-african-american-artists.
with Mechella Yezernitskaya, “‘The only place we’ve ever been free is on the Florida straits’: An Interview with Nestor Armando Gil/Taller Workshop.” SWARM. Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 2018: https://www.pafa.org/sites/default/files/swarm-online-publication-2018-pafa.pdf.
with Mechella Yezernitskaya, “Imaginary Lands: An Interview with Didier William.” SWARM. Philadelphia, PA: Pennsylvania Academy of the Fine Arts, 2018: https://www.pafa.org/sites/default/files/swarm-online-publication-2018-pafa.pdf.
with Mechella Yezernitskaya, “Righting the Imbalance: A Conversation with Linda Lee Alter.” Beyond Boundaries: Feminine Forms. Edited by Carrie M. Robbins. Bryn Mawr, PA: Bryn Mawr College, 2017. Print.
with Mechella Yezernitskaya, “Collective Memories: A Conversation with Bill Scott.” Beyond Boundaries: Feminine Forms. Edited by Carrie M. Robbins. Bryn Mawr, PA: Bryn Mawr College, 2017. Print.
“Marriage and Other Migrations: An Interview with Tanja Ostojić.” Serbia 2016: SEE Art Gates: States of Reality. Pančevo: 17th Art Biennial Pančevo, 2016. Print. (Serbian and English)
“The Freedom of Moving Through Borders: An Interview with Tímea Oravecz.” Serbia 2016: SEE Art Gates: States of Reality. Pančevo: 17th Art Biennial Pančevo, 2016. Print. (Serbian and English)